Chinua Achebe: Why I rejected
Nigeria's 2004 national honors from Obasanjo's
government 
Let us now praise famous men: A Tribute to V.C. Ike at 70
By CHINUA ACHEBE
Special to
USAfricaonline.com and
USAfrica The Newspaper, Houston
(May 4, 2001; Bard College, New
York): The attainment of the biblical
three-score-and-ten years by Professor Vincent Chukwuemeka Ike should
be an occasion for national celebration. It should be an opportunity
for a grateful nation
to
record its appreciation for the work of a great public servant who is
also a profoundly important literary artist.
I have known Chukwuemeka Ike since our teenage years first as a contemporary at Government College, Umuahia and then at University College, Ibadan; and I regard this long acquaintance which matured into close friendship as one of the rich blessings of my life. But more to the point, it gives me the authority to reflect on this man who is in reality a most uncommon phenomenon.
Ike began his working life as Assistant
Registrar at Ibada
n.
His choice of university administration in the crucial 1950s decade
when Nigeria was embarking on a vast and explosive educational
expansion was right for the times and right for his own temperament
and aptitude. Before too long, the new University of Nigeria at
Nsukka which had been founded in the year of Nigeria's independence
was looking for a Registrar and appointed Ike to that position.
He held it through the years leading to the Civil War (1967-1970), the war years themselves, and their aftermath. From this point onward Ike's career movement was from pinnacle to pinnacle. He was appointed to head the restoration and re-opening of the university that had been severely damaged during the Civil War. Then came the prize appointment for him as Registrar of the West African Examinations Council, a prestigious position which ensured that a whole generation of secondary school leavers in former British colonies in West Africa carried the imprimatur of Chukwuemeka Ike's signature on their certificate.
Ike's achievements in Nigerian and West African higher education are more than adequate to place any single individual in his nation's hall of fame and his nation in his debt. To add to this Ike's important contribution to Nigerian and African literature puts him on another level altogether - in a class by himself. His novels chronicle in memorable fashion the lives, the hopes, the despair of Nigerians. In his fine satire of Nigerian academia, Naked Gods, Ike achieves brilliant observation, light hearted humour and sombre seriousness. And that combination of light touch and serious purpose is the hallmark of his entire oeuvre. He explores our human condition in terms we can all understand and in images that will endure.
Let us raise a toast to this great
Nigerian!
Prof. Achebe, the most translated writer of African heritage
and the developing world, is the author of Things Fall
Apart (1958); No Longer at Ease (1960), and Arrow of God (1964--rev.
1974), Anthills of the Savannah (1987),
Home and Exile (2000) and numerous essays on the sociology of African
life and literature. He is a resident scholar at Bard College, New
York, and recipient of numerous awards for
scholarship.

TRIBUTE
Chinua
Achebe:
The Voice of Ancient and Modern Africa.
Achebe, scholar, social conscience, cultural
historian and globally-acclaimed writer, has been a
significant and binding source for an engaging understanding
of African pre-colonial, colonial and post-colonial history
and realities. I believe that such insight has made him a
favorite of African-Americans, and other scholars and
regular folks in search of a better, realistic understanding
of Africa, at least, from Achebe's utilization of his rich
and dynamic Igbo ancestry, in south eastern Nigeria. I share
the same ancestry, and he's one of my
mentors.
By Chido
Nwangwu
|
Why
Chinua
Achebe,
the Eagle on the Iroko,
is Africa's writer of the
century.
By Chido Nwangwu |
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